It’s a bit dim but there is a beautiful memory deeply lodged in the indented piazza of my childhood recollection.
Like all the other kids, I have godmothers and godfathers. One of them, my godmother, is a couturier. This explains why my clothes back in the 90s were specifically tailored for me. Her husband, on the other hand, is a photographer.
My mom normally commissioned their services each time there was an event in town wherein I was invited to participate.
One time, my mother left me in their house. I don’t remember much about that day but I do remember a long, tenebrous corridor lined with stuffed animals.
By stuffed animals, I don’t mean toys made of fabric and cotton. I mean actual animals, dead and preserved and striking in their haunting beauty.
The trick there, I noticed, was the chip of glass planted inside their eyes. This was what made all of them flare with life.
At the foot of the stair, there stood two white wolves. Their mouths were half-opened; the crinkles on their snout boasted its prominence. They looked as if they were about to jump and slaughter their prey.
At the top of it was a cat, curled and sleeping. Except the cat was stuffed, like the wolves so it was not sleeping but dead. There was an owl tethered from the ceiling, there were rabbits and guinea pigs and other species of birds and dogs, and they all inhabited that long, tenebrous corridor.
I do not remember if there was a window at the end of it, but I remember walking in that musty hallway, lined with dead, stuff creatures and feeling not a nip of fear but a burning fascination. I remember the creaks of the wooden floor and the echoes of my footfalls.
I was five years old, and at that tender age, I have discovered my love for everything that is strange and remarkable.